11 ~ A 1st Edition Gives Gillis a Clue to the Killer’s Identity

11

Gillis walked to the book case and arbitrarily pulled out a book. He blew the dust off the book and opened it. He looked over his shoulder toward Pickle and said, “Say’s this is a first edition. This could be a clue.” Gillis raised the book up and gestured at Sampson, “I’m a expert on first editions, Sampson. Is this the weapon you used to knock the monkey out before you removed his eyes and gutted him? If you answer yes, you are one sorry son of a bitch. If you answer no, you are one lying son of a bitch. Either way, you’re a son of a bitch.”

Before Sampson could answer, Gillis opened the book the middle and bent the covers back so they pressed against each other. He said, “Dill, Sampson’s got more books than the public library. Guys like him got too much time on their hands. They read books, play tennis and golf, keep a mistress, and play with themselves.”

Sampson screamed, “Don’t bend the book like that, you’ll ruin it. Those are rare books. Please don’t touch them. You are disgusting. I do not play with myself. I hate tennis and golf, and I don’t have a mistress.”

“You have all the signs of being in stage one, denial. Looks like you could use a mistress. You got a lot of pimples. You know what they say causes pimples on males? Till’s not the only monkey you play with,” said Pickle.

The six foot one-inch Pickle bent over stared at the top of Sampson’s head. “You use hair plugs, Sams? If you do, you need to file a lawsuit. I’m looking at some significant erosion over here, if you know what I mean,” said Pickle touching three different spots on Sampson’s skull.

Sampson jerked up, his eyes fixed across the room on the shattered remains of his blown glass monkey strewn across the marble floor. He took a deep breath, and glared at Pickle, “The city is going to hear from my lawyer. I don’t have time to suffer fools.”

“I hope you are not talking about me or my partner. You must be talking about somebody and I don’t see anybody but the three of us. If you are calling my partner or me a fool I want to see evidence to prove we are fools. You can’t count the broken blown glass thing because that happened before you made your accusation,” said Pickle. 

Gillis waved off Pickle from continuing. It was making him drowsy. Gillis said, “The way I figure it you threw your monkey at me. I ducked. It splattered. What I can do for you is sell you the tube of super glue I keep in my glove compartment for just such purposes. It cost me four ninety-five. I’ll discount it fifty percent for you because it’s used. Putting the monkey back together will be a good hobby, like putting together a jigsaw puzzle. Old people like to do jigsaw puzzles. You’ll fit right in.”

Sampson’s head looked like it was going to explode when Fleming came into the room, ignored Gillis and Pickle, walked around the desk to Sampson and whispered into Sampson’s ear. 

Sampson’s eyes widened as big as moon pies. He said, “What? What? My Starry Night? A pickup truck on my perfectly manicured lawn? Fleming, what kind of hell did these two idiots bring to the Casa del Mono?”

Fleming pointed at Gillis, “It’s his truck. And the other one, he threw his shoe at the Van Gogh.” Fleming turned and walked out of the room.

Gillis pointed a finger toward his chest, “I don’t care for snitches. Narcs. Stool pigeons. Canaries. Finks. The only conclusion I can come to is that Phlegm is covering up for somebody. Is it you, Sampson? What was he whispering in your ear? One of you is the killer and the other is a co-conspirator. All I need is proof. As for Pickle, he did not throw his shoe at the painting. He threw it at Phlegm. Can he help it if Phlegm purposely and willfully ducked. If there is any blame here about the damage to the painting look no further than your overpriced assistant with the bad Botox job.”

“His name is Fleming not Phlegm. We did not kill Till,” snapped Sampson.

Gillis ignored Sampson. He held up the first edition. He said, “My granny told me you decide what you had to do by closing your eyes and opening the Bible and running your finger down the page. Where you stopped your finger, there was the message direct from God. That’s what I’m going to do with this first edition.”

Gillis closed his eyes, arbitrarily opened the first edition near the middle, ran a finger down the left hand page and stopped. Gillis opened his eyes, read the lines his finger touched. He glanced up at Sampson and said, “It appears you had an accomplice helping you to kill the monkey and going to give you proof.” Gillis read the excerpt, “He was a killer, a thing that preyed, living on the things that lived, unaided, alone, by virtue of his own strength and prowess, surviving triumphantly in a hostile environment where only the strong survive.” 

Gillis ripped the page out of the book, folded it and stuck it in his pants pocket. 

“You ruined my first edition of Jack London’s Call of the Wild. It’s worthless. It’s no good to anyone,” howled Sampson.

Life Hack: 10 Ways to Make Life Easier

“The Question” Poem by Ella Wheeler Wilcox

“Beside us in our seeking after pleasures,
   Through all our restless striving after fame,
Through all our search for worldly gains and treasures,
   There walketh one whom no man likes to name.
Silent he follows, veiled of form and feature,
   Indifferent if we sorrow or rejoice,
Yet that day comes when every living creature
   Must look upon his face and hear his voice.

When that day comes to you, and Death, unmasking,
   Shall bar your path, and say, “Behold the end,”
What are the questions that he will be asking
   About your past?  Have you considered, friend?
I think he will not chide you for your sinning,
   Nor for your creeds or dogmas will he care;
He will but ask, “From your life’s first beginning
   How many burdens have you helped to bear?”

Excerpt From
Poems of Power
Ella Wheeler Wilcox

10 ~ Pickle Takes A Stand Against Vaping

10

The door to the oversized, architectural fiasco mansion opened. A silver haired, six foot two inch man wearing a tux with red cummerbund stretching over a forty-four inch waist said, “I assume you are the detectives?”

“When you go through puberty, your voice is going to change. No offense intended, are you going through a sex change?” asked Pickles.

 “I’m Mr. Sampson’s administrative assistant, Fleming. Please leave your firearms in your beat up truck. Mr. Sampson doesn’t allow firearms or curse words in his home,” said Fleming clearing his throat attempting to bring it down into the soprano range.

Gillis ignored Fleming. He tapped Pickle on the arm, “Ask him if he has more than one name. I think he’s taking steroids. Steroid takers can react violently, I’m giving you a head’s up. Another thing, you take too many steroids they shrink your package, know what I mean, Dill?”

Pickles stared at Fleming, then looked at Gillis, “Hold on, Gills. I’m supposed to be the bad cop. I won the coin toss.”

“I had a mind burp, Dill. Excuse me. I’m the good cop, you’re the bad cop,” said a contrite Gillis.

Pickle nodded and fist bumped Gillis. He said, “He’s not doing steroids. If he was he’d have pimples. One thing I’ll say for Phlegm, he has good skin but the comb over leaves a lot to be desired. Hey, Phlegm, you do Botox? Do you have another name to go with Phlegm?”

Fleming turned a shade of yellow and green, and said, “I have one name, like Madonna. The name is Fleming. Mr. Sampson is very generous and I’m covered for free Botox injections whenever I need them.”

Pickles turned his back to Fleming, closed his eyes and concentrated on his bad cop role. When he was emotionally ready, he screwed up his face, twisted his lips into a snarl, turned back toward Fleming and barked, “Guns or cussing not allowed? Is that so? How about I shove my gun up your tight ass? That is, unless you’re Folsom Sampson, which you already admitted you’re not. If you’re lying, and you are Sampson, I’m going to bust you for exploding an investigation. You want to cop a plea deal and rat out your boss, maybe I’ll put in a good word for you with the B.O.”

Fleming’s color was changing so rapidly, Gillis couldn’t get a good read on it. He took note of Pickle’s use of the word exploding instead of impeding. For a brief moment Gillis felt overwhelmed. He had so much work to do to get Pickle ready for the detective first grade exam and only two years to do it.

Fleming jabbed a finger at Pickle and said, “You. You are an …”

“Don’t say something you’re going to regret, Phlegm. Why were you called Phlegm? That brings up disgusting images in my mind. If anybody named me Phlegm I’d a changed it faster than a whore turns a trick,” said Gillis.

“I’m going to report the both of you to whoever takes reports. You’ve not heard the end of this,” squeaked Fleming.

Pickles said, “I didn’t hear anything bad, did you Gills?”

Gillis still wasn’t sure what Pickle meant by B. O. It couldn’t have been body odor. He decided to let it slide. He said, “Not me.”

“The only thing I heard was Phlegm insulting my mixed racial identity. You hear that, Gills?” asked Pickles.

Gillis slipping into his good cop role, said, “It embarrassed me the way he was talking about your ancestors. What if your four or five fathers showed up? How would they feel? I don’t think Phlegm knew about your four or five fathers. Let’s cut him a bit of slack and hold off on reporting the pervert, Dill. The man’s only doing his job. Besides, you don’t want to get your gun dirty by sticking it up his ass. We’re not carrying pistol condoms.” 

Gillis turned to face Fleming. He said, “We’ll hold on to our guns, Phlegm. If you’re not Folsom Sampson, we don’t care who you are. You might be Liza Filtz for all I know. We’re here to see Dipthong”

“You mean Mr. Sampson?” said Fleming reassuming a snooty attitude.

“Gills, I think I heard you say Ping Pong. Maybe we should arrest this guy for making fun of the way you talk. We’ll shove him the same cell with Benny Melendez, the street mariachi player.  You want some of that, huh, Phlegm? You want to hear mariachi music twenty-four seven. It’s enough to drive someone from here to Saskatchewan. You’ll need a passport if you want to take that trip. If you try to sneak over the border, it’s okay, it’s a problem for the Canadian security. My guess is you don’t have a passport on you. You know what I’m talking about?” said Pickles.

Fleming, who majored in logic at the university, couldn’t follow the conversation. He was trying to wrap his head around an enigma and found it more difficult than solving a Rubric’s Cube. His tongue wouldn’t move. He gestured, it didn’t help. He turned and walked inside the mansion, Gillis and Pickle followed. 

Fleming stopped five feet into the entrance way. He was back on familiar turf. He took a deep breath and turned to face Gillis and Pickle, “I’ll ask you to remove those, those, rubber soled, lower blue collar, black work shoes.”

Fleming, unwittingly played into the bad cop character that Pickle won honorable mention with at the Police Christmas party. Pickle stopped. He untied his right shoe. He glanced at the smirking Fleming who held blue disposable booties for both Pickle and Gillis. Later, Pickle would tell Gillis it was the smirk that brought out the award nominating performance for his bad cop routine.

Pickles scaled his shoe at Fleming’s head. Fleming easily stepped aside and watched the black, steel toed, blue collar worker shoe sail past him and smash into Van Gogh’s Starry Night on loan to Folsom Sampson for safe keeping while the Museum of Modern Art updated its security systems. Pickle’s black shoe put a three inch tear into the canvas and a distinct black smudge making the starry night darker. 

Pickles walked over to the painting, gave it ten seconds of his attention, picked up his shoe and asked, “This one of the paint by numbers paintings? Whose Vin Goff?”

Gillis thought Pickles was overplaying the bad cop role.

Fleming, who fainted, opened his eyes staring up into the ceiling and not a starry night, gurgled, “It’s Van Gogh, not Vin Goff, dolt. Do you know what you did?”

“I can answer that question with a question,” said Pickle. “Where can we find Sampson?”

Fleming wiped the tears out of his eyes, and pointed, “He’s…He’s in his office over there.”

Gillis and Pickle stepped over the prone Fleming and walked to Sampson’s office. They didn’t bother knocking. Gillis twisted the nob and flung the door open letting the door nob whack the wall leaving a small indentation. The two detectives walked into Sampson’s office. Sampson sat on an executive chair behind a large polished cherry desk. A golden, life sized sculpture of the deceased sat on the floor on next to the desk. A smaller golden replica sat on the corner of Sampson’s desk. Four commissioned paintings of the deceased hung on walls. 

“What was that racquet in the hall? Where is Fleming? Why didn’t you knock? I hope you didn’t damage the wall. All my walls were painted by the obscure but rising Latino artist Don Won. Do you know who I am?” said Sampson.

Gillis flashed his shield and Pickle chucked Sampson the bird. Gillis said, “I’m Gillis, the good cop. This here is my partner, Pickle, the bad cop. We’re here to talk to you about the murder of a monkey. We don’t want any monkey business from you neither.” 

“Do you know you used a double negative?” said the Ivy educated Sampson.

“Let’s get something straight, I’m an optimist. I don’t allow no negative thinking into my mind, so quit the crap about double negatives,” said Gillis.

“Nice one, Gills,” said Pickle.

Sampson gave a disgusted look, opened a drawer and said, “Mind if I vape?”

Pickle was standing in front of the desk, said, “You vape and I will twist the two mushrooms that kinda look like ears on the sides of your head until they fall off your head. I’m okay with this, if you agree.”

Sampson closed the desk drawer. Then he glared at Pickle now sitting on the edge of his desk holding a one of a kind commissioned blown glass work by Lo Ming of the deceased monkey. “What do you think you’re doing?” he demanded.

Pickle looked at Gillis and tossed him the blown glass monkey. Sampson gasped, “No. No. It’s a rare commissioned piece. It’s one of kind. It’s a replica of my beloved Till.”

Gillis didn’t track the blown glass. He was preoccupied clipping his nails. Till floated happily toward Gillis. On Till’s descent, he performed a half twist, and made a perfect head first dive onto the Italian marble floor shattering into a thousand pieces.”

“Ye gads. That was priceless. “Where is justice?” bellowed Sampson

Before Sampson could say another word, Gillis smiled, playing good cop, and said, “Sam Justice is working vice. He’s on the night shift. Being priceless is a good thing. It means whatever this thing is supposed to be, it’s not worth anything. If you go eBay, you probably can find an upgrade for about five fifty.”

  Sampson began crying. He laid his head down on his desk and beat the desk with both fists sobbing loudly.

“When you’re finished with your tantrum, we’ll get on with our interview,” said Gillis.

“Yah. We can do it the hard way or we can do it the Pickle way, which makes the hard way look like the easy way. The third way is to write out your confession and tell us how you had your cook prepare the monkey’s guts.”

© Ray Calabrese 2018

Today’s Quote on Self-Improvement

Do not say to yourself, ‘I am going to act this way tomorrow.’ Just say to yourself – ‘I am going to imagine myself acting this way NOW – for 30 minutes – today.’

Maxwell Maltz

Brain Hack: “The Power of Expectations”

Life Hack: Facing Fear a Brain Drop with Steve Harvey

Something to Think About

Don’t allow your wounds to transform you into someone you are not.

Paulo Coelho

 

Each of us has experienced pain, hurt, betrayal, and moments of intense suffering. It’s part of the price of living.

What we become as the result of those moments changes us. Someone said, “These times can make us bitter or better.”

How have you become stronger, wiser, and more loving as a result of your painful experiences?

The work of becoming better is not easy, it is essential if we are to heal and grow and fulfill our destiny.

 

Today’s Quote on Success by Julius Erving

The key to success is to keep growing in all areas of life – mental, emotional, spiritual, as well as physical.

Julius Erving

“Love Song” Poem Rainer Maria Rilke

Love Song

When my soul touches yours a great chord sings!
How shall I tune it then to other things?
O! That some spot in darkness could be found
That does not vibrate whene’er your depths sound.
But everything that touches you and me
Welds us as played strings sound one melody.
Where is the instrument whence the sounds flow?
And whose the master-hand that holds the bow?
O! Sweet song—

Verified by MonsterInsights