The ice didn’t just melt; it started talking, and it was naming names.
The Thaw at Miller’s Creek
The ice on Miller’s Creek didn’t melt; it surrendered. For three months, the city had been a tomb of “darkening downwards cold and grey,” just like the poem said. But as the sun finally cracked the sky on this young April day, the warmth felt less like a hug and more like a deposition.
I stood on the muddy bank, lighting a cigarette that tasted like damp cardboard. The “blithe birds” were screaming in the budding maples, but they weren’t singing for the flowers. They were circling the bend where the current slows down.
“The riches of the springtime all are ours,” I muttered, flicking ash into the slush. My riches usually came in the form of shell casings or shallow graves.
The frost death had finally retreated, revealing the “shivering March blooms” and something much heavier. Ten yards out, a pale shape snagged on a submerged shopping cart. During the winter chills, it was just a lump under the white sheet of the river. Now, with the “new sunny days,” the truth was bloating under the heat.
I saw the flash of a silk scarf—canary yellow, the color of a spring warbler. It was the same one Elias had been looking for since December. The birds reached a fever pitch, their “clearest happiest trills” sounding more like a mockery as the water receded further.
The figure shifted in the current, rolling over. I leaned in, my heart hammering a rhythm that matched the woodpecker in the distance. The face was gone, but the ring on the left hand caught the “sunlight glow” with a blinding, cruel intensity.
I reached for my radio, then stopped. If I called this in, the spring would end before it even began.
What do you think happens next? Does he report the body and risk the blowback, or does he push the “spring riches” back into the dark water? The ending is in your hands.
